9/24/2023 0 Comments Ragtime el doctorow works citedIn other words, hoping to gain “authority for the narrative,” Ragtime claims to have been there (155). Indeed, the novel revisits the early 1900s and, by blending historical figures and events with fictitious ones, blurs the lines between “the historic and the aesthetic, the real and the possibly real” (Doctorow 1993, 157). “My book is a false document,” claims E.L Doctorow in an interview about Ragtime (Gussow 4). Keywords: Doctorow, postmodernism, historiographic metafiction, power, narration Ragtime testifies to this awareness, put forward in “False Documents,” in the present work I will rely on Doctorow’s essay as a key to interpret the novel and my aim is to show how stories govern the microcosm of Ragtime, condition the subjectivity and fate of its characters, and how stories themselves offer a liberation from normative constraints. For, fiction, speaking in the vernacular of freedom, has the ability, by revealing what we “threaten to become,” to transform the stories that govern our world. In Doctorow ‘s view, only literature can offer us a way out of the tyranny of this rationality. Doctorow, there is no genuine difference between fact and fiction: “there is only narrative.” He believes that “the regime of facts,” the epistemological dominant of the world we live in, “derives its strength from what we are supposed to be.” In this sense, our microcosm does not merely revolve around the scientific dogma of its own infallibility, but the ruling scientific discourse defines us in our very beings and demarcates our agentic horizons. His MA dissertation by using Patricia Waugh’s definition of historiographic metafiction read Thomas Pynchon’s Gravity’s Rainbow and Against the Day as fiction that is not only conscious of its constructed nature but which aims to uncover the fictionality of our own world. In 2018 he obtained an MA degree in English Literature from the University of Bristol. His research interests are related to postmodernist and contemporary US fiction. Gergely Vörös is a postgraduate student at Comenius University in Bratislava. Leiden: Brill Rodopi, 2018." Ragtime as “False Document”: Narratives and a Constructed world in E. “Intermedialität als neues Paradigma der Literaturwissenschaft? Plädoyer für eine literaturzentrierte Erforschung der Grenzüberschreitungen zwischen Wortkunst und anderen Medien am Beispiel von Virginia Woolfs ‘The String Quartet’.” In Selected Essays on Intermediality by Werner Wolf (1992–2014), edited by Walter Bernhart. New York: Random House, 2007.ĭoctorow, E. New York: Random House, 2005.ĭoctorow, E. New York: Random House, 2010.ĭoctorow, E. New York: Random House, 2014.ĭoctorow, E. Praha: Volvox Globator, 2001.ĭoctorow, E. Doctorow’s The March.” American & British Studies Annual 12 (2019): 145–154. “The Role of African American Music in E. Doctorow: Jazz Inspired.” Jazztimes, June 6, 2010. Doctorow’s Ragtime.” American & British Studies Annual 9 (2016): 75–84.Ĭarmichael, Judy. “Phonic Musicality as a Means of Recoding in E. In City of God, the lyrics of jazz tunes emerge throughout the novel, thus the importance of this motif is discussed in detail along with the attention devoted to other major manifestations of music in this literary work.īilonozhko, Lidia. Doctorow can be found, and in which respects this novel is unique. Furthermore, an investigation is presented as to what extent musical elements from other novels by E. It also takes into account which musical instruments are employed, including the symbolic meaning that one of them, the violin, carries. From the viewpoint of different modes of music in literature, namely the thematization of music, the sound layer and the musicalization of fiction, this contribution examines the emotions elicited in the protagonists in the scenes in question, as well as the atmosphere that the music creates or accentuates. This paper explores the role of music in one of his later novels, City of God (2000), with a focus on selected scenes in which music is represented. Music also plays a principal role in a number of the author’s other works. Doctorow became world-famous primarily for his novel Ragtime (1975), which references a distinct style of playing the piano that had a profound impact on the development of jazz. Doctorow, fiction, novel, City of God AbstractĮ.
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